While this damaged medieval manuscript from the late 700s
may not appear to be as impressive or eye-catching as a well-preserved
illuminated manuscript, it holds an important piece of English history: the
story of Caedmon, the first English poet. As the blog on the British Library
describes him, “he is also a
significant figure in the history of people who hate singing in public, people
who develop new talents later in life, and of cowherds” (Hudson, Wellesley). The
author of the manuscript—an excerpt from A
History of the English Church and People—was Bede, a prolific scribe at
Jarrow Abbey. He played a key role in the Vernacular Renaissance, especially in
his praise of Caedmon’s ability to create enchanting Christian poetry in Old
English. According to Bede, Caedmon was an shy, uneducated cowherd who received inspiration
during a dream to create this poem:
Now we ought to praise the Guardian of the heavenly kingdom,
The might of the Creator and his conception,
The work of the glorious Father, as he of each of the wonders,
Eternal Lord, established the beginning.
He first created for the sons of men
Heaven as a roof, holy Creator;
Then the middle-earth, the Guardian of mankind,
The eternal Lord, afterwards made
The earth for men, the Lord almighty.
The might of the Creator and his conception,
The work of the glorious Father, as he of each of the wonders,
Eternal Lord, established the beginning.
He first created for the sons of men
Heaven as a roof, holy Creator;
Then the middle-earth, the Guardian of mankind,
The eternal Lord, afterwards made
The earth for men, the Lord almighty.
He was brought to the Abbey at Whitby, governed by the renowned Hilda. “Believing his skills
were heaven-sent, she admitted him to her monastery and arranged for his
religious instruction” (Bennett, 46). Caedmon used this newfound knowledge to
create more poetry. Unfortunately, the poem that Bede recorded is the only one
that has survived, making this manuscript all the more valuable.
Not only does this manuscript
inform us of the past, but it bears evidence of the passage of time. This manuscript was preserved for almost a millennium before a fire in 1731 CE damaged the pages. It is part of the
Cotton Collection—a large
collection of medieval manuscripts that would become an integral part of the
British Library itself. The manuscript is still part of this extensive collection, and the full document is available online. While this manuscript certainly provides a window into
the past, it also allows us to appreciate the time that has passed since the
story was first recorded.
References
Bennett, Judith. Medieval Europe: A
Short History. New York: McGraw-Hill, 2011.
Hudson, Alison, and Mary
Wellesley. “The Earliest English Poet.” Medieval Manuscripts, The
British Library Board, 2/11/2016, https://blogs.bl.uk/digitisedmanuscripts/2016/02/today-is-the-feast-day-of-caedmon-the-first-known-english-poet-as-well-as-being-the-first-named-poet-in-the-english-literar.html
“The Story of Caedmon’s Hymn” Discovering Literature: Medieval Collection Items, The British
Library Board, https://www.bl.uk/collection-items/the-story-of-caedmons-hymn
So many manuscripts are part of the Cotton collection; the Song of Roland too (?)--we will have to watch out for this. I reapply appreciated how you linked to Bennett and included a primary source excerpt as well. And Hilda of Whitby made an appearance as well as the vernacular. Great and information blog!
ReplyDeleteThe thing I like most about this response is your connection to the world today. I liked to hear about the manuscript is still available online. I read this and I recommend it for everyone to read. It is a good read. Great response!!
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