For those unfamiliar with the comedy style of Monty Python,
a step into their world can be seen as strange and peculiar. The group is best
known for their ability to satirize just about anything they chose at the time.
One could think of their comedy as a giant, “what if?” where people and things
are put out of context to show their truly perplexing qualities. Most notably
on their television series, the group would frame absurd sketches like
questioning what would happen if Hitler escaped to England, changed his name,
and lived like a typical English-person? Awkward, and sometimes uncomfortable, scenarios
like this are the specialty of the comedians of Monty Python and they take this
unique comedy into their classic 1975 film Monty
Python and the Holy Grail.
The film is set up to share qualities with famous medieval
epics, like The Song of Roland, which
instantly is noticeable with the inclusion of the heroes of the movies, King
Arthur and his Knights of the Round Table. Along with the legendary characters in
the story the movie includes, like Bennett alludes to, an adventure of epic proportions,
blood and gore, and characters able to survive their mortal injuries (which
becomes a running gag throughout the movie) (283). The movie has many memorable
scenes like these including, the black knight, whose limbs are all cut off but
yet he is still ready and willing to fight (hopefully this is reminiscent of The Song of Roland).
What the film does well in this epic-like styling is ask,
what if medieval knights, who supposedly have these legendary traits and abilities,
are not that legendary nor epic and instead flawed humans? In this context, viewers
can begin to think about their preconceptions of the medieval period and see
how some of the preconceptions are a little embellished. Like how Arthur and
his Knights towards the end of their quest, fail to defeat a small but
ferocious bunny, which kills most of the group, in close combat.
Although, not entirely accurate for historical purposes, the
film does hit upon some truths about medieval life while greatly exaggerating most
other aspects. The film’s main story features King Arthur and his Knights, who
are called by God to go and search for a holy relic that is revealed to be the
Holy Grail. The combination of religion and the ruling powers of a kingdom were
an important part of medieval governance since Charlemagne. Furthermore, kings did
include some religious aspects to their territorial expansion and conquests. Religion,
especially Christianity, shapes the characters in the film and their
adventures. This includes one knight named, Sir Galahad the Chaste, whose encounter
with a castle that is only inhabited by women leads him to desire to be less
than his name before being rescued by his fellow knights. For the most part,
the mail that the knights wore showed how knights were still able to move even
with heavy armor on.
The greatest historical fault to the movie was that many
things were just put in the wrong time periods, for instance many knights have
barrel helmets which did not appear until the 12th century. However,
I do not think the writers were going for the most accurate portrayal of the medieval
period because the point of the film was to satirize people’s preconceived notions
of knights and medieval life, by making it seem over-the-top and humanizing
medieval people.
References:
Bennett, Judith M. Medieval Europe: A Short History.
McGraw-Hill, 2011
Monty Python and the Holy Grail. Terry Gillam and Terry
Jones. EMI Films, 1975
Newman, Paul B. Daily Life in the Middle Ages. McFarland,
2001