St. Francis Receiving the Stigmata, a painting by Giotto di Bondone



Giotto di Bondone created many paintings of St. Francis of Assisi (WebMuseum). The largest painting in the panel to the left is called St. Francis Receiving the Stigmata. The paintings underneath (left to right) are Dream of Pope Innocent III, The Approval of the Franciscan Rule, and Sermon to the Birds. This panel was painted anywhere from 1295-1300 (Kahn Achademy). I will be focusing on St. Francis Receiving the Stigmata.

Stigmata are the marks Christ received on the cross. In this painting Christ, in the form of a seraphim, is giving the stigmata to St. Francis, who is kneeling.  Compared to other artworks of the time and previously, this work conveys more human emotions and positions, specifically the kneeling (Khan Academy). The stigmata was only given to people with exceptional faith, like St. Francis, and could only be bestowed upon someone in a holy fashion, like via seraphim.

We know this is St. Francis due to his brown robe and the halo above his head, showing that he was sainted after he died. It would be square if he was sainted while he was alive (Bennett).

Now this panel can be viewed in the Louvre in Paris.












Works Cited
Bennett, Judith M. "Chapter 10." Medieval Europe: A Short History. 11th ed. New York: McGraw-Hill, 2011. Print.
Khan Academy. "Giotto, St. Francis Receiving the Stigmata." Florence, the Late Gothic. Khan Academy, n.d. Web. 03 Dec. 2016. <https://www.khanacademy.org/humanities/renaissance-reformation/late-gothic-italy/florence-late-gothic/v/giotto-st-francis-receiving-the-stigmata-c-1295-1300>.
Pioch, Nicolas. "Giotto Di Bondone." WebMuseum. BMW Foundation, 2002. Web. 03 Dec. 2016. <http://www.ibiblio.org/wm/paint/auth/giotto/>.

Housing a Saint: the Basilica of St. Francis


St. Francis of Assisi was a significant spiritual figure in 1200s who advocated for a simple life following the ideals of poverty, abstinence, and giving away of worldly items for a deeper spiritual life.  His ideas greatly influenced religious life in the 1200s, and during his own lifetime people were already honoring him as a saint.  His significance is revealed by the church built in his honor in Assisi shortly after his death, the Basilica of St. Francis.


The Basilica of St. Francis was consecrated by Pope Innocent VI in 1253 and the beautiful frescoes depicting St. Francis's life were painted by Giotto, Cimabue, and others in 1200s and 1300s.  St. Francis's body was transferred to the church as soon as the first building was completed and hidden in the ground beneath the high altar.  This action prevented his bones from being stolen to be sold as relics; when his tomb was rediscovered in the 1800s, his skeleton was fully intact, which was rare for a popular medieval saint.


The Basilica has two main levels--the upper church and the lower church.  The lower church, badly lit and tomb-like, was built first and displays frescoes done by painters from the early Sienese school.  These frescoes show St. Francis' life in relation to the life of Christ.  The upper church is strikingly different than the lower church; The interior is decorated in the Italian Gothic style: full of light and color, with an airy atmosphere.  The exterior has a plain facade done in a Romanesque style, with a double portal under a pointed arch as the only Gothic touch.  Painted in the lower register of the nave is Giotto's Legend of Saint Francis, which illustrates St. Francis' life.  Giotto's frescoes include a lot of nature and convey deep emotion, a perfect choice to for St. Francis.



Source:
"Basilica Di San Francesco, Assisi." Sacred Destinations. Sacred Destinations, n.d. Web. 03 Dec. 2016. <http://www.sacred-destinations.com/italy/assisi-san-francesco>.  

Medieval Bread

Bread was the most basic component of the medieval diet. No true recipe for bread thrived from the Middle Ages. This could be because they were lost or the it could be because bread baking was so common that recipes were passed down orally and by direct experience from one generation to the next. 

The basic ingredients for bread have remained the same. They would use a powdered starch (usually a flour made from wheat, spelt, rye, barley, or other grains), a liquid (usually milk or water), salt, and an ingredient to make the bread rise. Old dough or ¨barm¨ (fermenting grain mash into beer) were used to start bread dough rising. Besides the basic ingredients nuts, oats, dried fruits, and even beans were added into the bread for flavor and to act as fillers when grain was in short supply. 

Large institutions, such as castles or palaces maintained their own ovens allowing them to bake their own bread. Most people of the Middle Ages did not own their own ovens. Most people had to take their bread to a communal oven for baking. The ovens of the Middle Ages were usually large, domed structures, tall, and made of stone, clay, or brick making it difficult to own one in a house. The expense of maintaining it and keeping up with the wood supply for the fire would have been very difficult for an average Middle Age person. 



References:
1. Daily Life in the Middle Ages - Paul Newman. Pag. 15.

The Italian Custard and Medieval Sweets

Recently, I tried my hand at making a 15th century Italian custard tart (the crust is from the 16th century... sorry) from an interpreted recipe I found on a blog all about medieval food. The dish turned out much better than I expected, and I only screwed it up a little. It was a challenge for me because baking is the kind of cooking I do the least (too much of an exact science for me). But, it was still fun and I was very happy with the results. I'll probably make this dish again too.

All the credit for interpreting the recipe goes to Cassandra Baldassano, who co-runs the blog, Medieval Cuisine. The original recipe did not include any amounts for the different ingredients, and Ms. Baldassano was who assigned measurements, baking time, and tempterature to the recipe. In fact, none of the recipes I found included any sort of measurements. This makes me think that people in the middle ages must have been pretty decent cooks if they would not have needed recipes to follow to make a dish, especially with baked goods.

(I didn't get a picture of my custard,
but it looked really similar to this one.)

Researching the ingredients that went into this custard not only gave me insight to how this dish would have been made in the middle ages, but to how medieval desserts in general would have been made and appreciated. Both the custard base and the crust were relatively simple. The base consisted of eggs, milk, sugar, cinnamon, and rosewater. The crust was made of flour, butter, eggs, and water. In the middle ages, the eggs would have been easy enough to acquire, as most rural people raised chickens or could easily trade with someone who did. The milk, while people did not drink it as we do today because it would spoil so quickly, would have also been fairly easy to acquire. Because of its susceptibility to spoilage, milk was often made into butter or cheese to preserve it. Therefore, butter would have also been easy to come by. All of these ingredients would have been readily available to most people of Europe because they were common and cheap.

However, two ingredients we now take for granted, the sugar and cinnamon, would have been hard to come by in the middle ages. Now, out of the two we only consider cinammon to be a spice, but sugar was also considered a spice then. These were extremely expensive in the middle ages because they had to travel great distances for the Europeans to use them. For example, cinammon had to be imported from India and parts of Asia through the middle east. Because these two ingredients were so expensive and not readily available to the public, they were mostly used by the higher classes. So, this particular custard would have been enjoyed by the nobility of Italy in the 15th century.



This is extremely different from how we experience sweets today. You can get ice cream at any fast food restaurant for only a buck or two, and you'll have it in your hands only minutes after ordering it. We take these foods, and ingredients like sugar and spices, for granted and don't usually recognize that they were not always so available. I wonder how people viewed desserts in the middle ages. They must have been viewed as more of a treat than they are today, considering the rarity of the ingredients that make them desserts. Were they prepared only on very special occasions? How often did the lower class versus the upper class eat desserts? How many of our own desserts are from the medieval period, such as this custard? The history of food is very interesting, and I'm glad I know a little more about it from following this antique recipe.

__________________________________________________________

Sources:

Newman, Paul. Daily Life in the Middle Ages. MacFarland and Company, Jefferson, NC, 2001,     pp. 3-36.







Medieval University

Medieval University

Italy, 1400

Italy, 1400

900s, Jewelled crown

900s, Jewelled crown