What's a Festival without Ale?

Monk brewing beer
     In the late Middle Ages, cultures were rich with festivals and parties for both play and religious reasons.  Around major holidays, such as Christmas and Easter, or other lesser known celebrations in today's world such as Carnival, May Day, or the feast of St. John the Baptist, medieval life would loosen and song, dance, bonfires, feasting, and of course drinking, would give ordinary people a break from the hardships of life.
     Ale, which would have been consumed mostly in the northern regions, and particularly in England.  In many cases, alcoholic drinks would have been safer to drink than water, and was consumed by everyone daily, including children.
   Since ale was such a part of daily life, many monasteries incorporated the drink into their routine. Many monks visited local taverns every day, such as the Bicester Priory in England.  These men, in order to kill off bacteria, are thought to have drank around 10 pints a day.  Because monasteries also acted as refuge for the needy, many monks supplied and made their own drinks during the Middle Ages. 


Monk drinking an alcoholic drink, most
likely a type of beer. Drinking beer
was a part of everyday life because
it was safer than water.
Sources:
Judith Bennett.  Medieval Europe: A Short History.
http://www.cs.cmu.edu/~pwp/tofi/medieval_english_ale.html
http://beforeitsnews.com/entertainment/2013/12/nine-unusual-archaeological-discoveries-of-2013-2455906.html
http://en.wikipedia.org/wiki/Ale

Church of Bones

The Capela dos Ossos ("Chapel of Bones") is a church in the Portuguese town of Evora. In the 16th century, Evora had 43 cemeteries that took up an excessive amount of land. The decision was made to destroy some of these cemeteries, so the remains of 5,000 monks were dug up. A common theme of the time period was the inevitability and acceptance of death. The monks had been concerned about the societal values of the wealthy town of Evora, so rather than place the bones behind closed doors, the remains were put on display. This created a place of meditation where the undeniable reminder of death would help the citizens transcend the material world (The Bone Chapel of Portugal).
The corpses of a woman and child hang from a wall. No one knows who they were or why they are there, but rumor has it that a powerful man had cursed them. When they were refused burial in a cemetery, they received shelter in the chapel. The entrance reads "Nos ossos que aqui estamos, pelos vossos esperamos," which translates "We bones that are here, for your bones we wait." It is a blatant reminder of the equality of death, and that everyone will die one day.

Source: http://www.odditycentral.com/pics/the-bone-chapel-of-portugal-a-creepy-sacred-destination.html

Van Eyck in WashDC

This is the painting that I saw in Wash DC that reconfirmed my interest in van Eyck beyond the Arnolfini. Wanted to share.

The annunciation scene with Mary: surprise! Love the wing and robe. See Mary with a book. 

Can you find this amazing detail featuring Old Testament scenes  in image no. 1? (answer: look on the ground)

Getting Medieval in SGF

The last 24 hours have been very medieval in Springfield, MO. But what does this mean? When I got up this morning I opened the newspaper to see a photo of the local bishop blessing the new neo-natal unit at Mercy Hospital, a hospital founded by nuns in the late nineteenth-century. As I pulled the photo for this blog, I saw that in April of 2014 he had also blessed the new $28 million rehab center on Evans road. The idea that a significant building needs a blessing might seem strange to some of you--but I do like the idea that the ritual and power still continues today. [How does this provide security? Will Europe feel same security during the Reformation? Will it have the "power" to drive Devils away?] This is a historical tradition that has survived because of the confidence it inspires (I have even seen horses blessed in Orvieto, Italy, and you can get your animals blessed at the Episcopal church here too).  Yesterday afternoon, I attended a very special celebration of someone retiring--and he related how there had been a message from God to push his tasks in his daily life and live a good life that influenced others. You know what--though I am not very religious and pretty logical, I believed it, and I know he believes it too. Do we overestimate what is medieval (distant past) and what is modern? There are many things that continue into the modern world that have a legacy in the medieval past--and I hope that you see some of these things whether you travel to San Francisco, San Antonio [St. Francis/St. Anthony] or New Orleans [Orleans, Siege, Joan of Arc, fleur-di-lis, New Orleans Saints]. Visiting the art museums in Kansas City or St. Louis will give you a lot of insight into the Middle Ages. If you're from Tulsa, head to the Philbrook Museum of Art which has a outstanding collection. Even a trip, like mine to Washington DC, opened up many new artists and portraits at the National Gallery, which has an outstanding collection of art. But behind art and religion, know that at Drury you are furthering your education in the spirit of the liberal arts, declared by John of Salisbury to be significant enough to "make your free" in that it opens your mind. Keep watching those medieval films--it won't be hard as that's the largest way we come to understand the Middle Ages; however, balance it with more complexity from this class, as films tend to emphasize modern ideas or focus on warfare. When you graduate, look for me in my medieval robe, and of course you'll be in yours. Don't forget to visit the apothecary (Mama Jeans) and get your blood let (Red Cross). . . . I could go on .  . . :))
Our SGF bishop blessing the NICU
Seemed a final place to pause: two popes meet to pray (but as friends).

Columbus's Compass: Slightly Misguided

          The discovery and human history of magnetism is, of course, closely tied to the discovery and use of the compass. The first recorded use of a compass was in 206 BCE in China, during the Han Dynasty, but the observation of magnetism was nearly two hundred years earlier when Wang Xu noted that a mineral "lodestone" attracted iron utensils. However, this mysterious phenomenon was used to orient buildings according to Feng Shui rather than navigation of any sort. Then, in the middle of the 12th century, Chinese magicians used a magnetized, suspended needle to help organize troops the battlefield, and finally as a maritime navigational instrument.
Ancient Chinese Divination "Compass" c. 220 BCE
          Once the Chinese had developed this invaluable maritime technology, it could spread through trade to Europe, which it (most likely) did about the turn of the 14th century. It is speculated that the navigational compass was independently invented in Italy, but neither theory has been proven. The Europeans seemed to have a stronger spirit of exploration than the East, so the development of the compass was encouraged to a much greater degree.
Left; Astrolabe, which would have pointed Columbus to Geographic North
Right; Box-style compass, pointing to Magnetic North

          The dry box-style compass (as opposed to a magnetic needle suspended by a string or in water) began to take shape soon before Columbus set sail in 1492, and through his voyage, he noticed a very peculiar phenomenon. Earth's "Magnetic North" does not quite line up with Earth's "True North," or the geographical north pole. Therefore, as Columbus sailed across the Atlantic, he noticed his compass readings actually gaining accuracy when compared to astronomical calculations. Interestingly, he kept this (certainly terrifying) observation from his crew, fearing it would spook them.

Notice how, along Columbus's path marked in orange, the difference between each north would become less significant.
Look at the prime meridian (through true north) to help illustrate this effect..
Magnetic North in Red
Geographic North in Blue
         Unfortunately, this deviation in measurement didn't lead Columbus far enough astray to save an entire continent's culture and heritage, but nonetheless, the magnetic compass helped fan the flames of European exploration.
                                                                               

San Bernardino alle Ossa

We looked at Bone churches on Wednesday and I thought I would look in to them and try to find one that I liked. After a couple minutes of searching I found this beautiful place. San Bernardino alle Ossa is a bone church in Milan Italy that has a small footprint, but a huge amount of bones. From floor to ceiling there are bones stacked from corpses collected from the nearby hospital. The church was built in the 13th century and is decorated with beautiful paintings by Sebastiano Ricci. One of the coolest features of the church is the giant cross made up of bones on one of the walls of the church. If I ever get a chance to visit Italy this place is most definitely on my to do list!

Here you can see the huge cross on the wall.
For more reading go to:
http://www.atlasobscura.com/places/san-bernardino-alle-ossa

Ready, Aim, FIRE!!!!

The Late Middle Ages brought about a great shift in the ways of battle, forever changing the method in which combat occurred. That shift came in the form of gunpowder and cannon. Although gunpowder was developed in China centuries before, it was not until the fourteenth century did European armies begin to fully appreciate the destructive power that gunpowder offered and utilize cannon fire against one another. The English and French likely borrowed the idea to use gunpowder in war from the Moors in Spain, who used artillery against the Christian forces who attempted to expel the Muslims from Iberia.
Unlike later wheeled versions, the early cannon were mounted on stands and consisted of a “bulbous bottle” which served as the barrel. An illuminated manuscript from 1327 shows the first depiction of a European cannon, a pot-de-fer, being fired by a gunner who stands well back from the barrel while he lights the charge with a hot iron. The manuscript shows the cannon firing a bolt toward the wall of a besieged castle.
A 1327 English manuscript showing the first recorded European cannon. See the vase-like shape, the four-legged stand, as well as the pot-fire used by the gunner to ignite the powder charge.
According to Judith Bennett only ten years after the 1327 manuscript , the Hundred Years’ War began, pitting France against England. The conflict was a contest between the two countries as to who the rightful ruler of the lands that make up modern-day France truly was. As with all wars, there was effort given to utilize the most up-to-date weaponry. A Florentine account of the battle at Crécy tells of the English uses cannon against their enemy: “The English guns cast iron balls by means of fire… They made a noise like thunder and caused much loss in men and horses… The Genoese were continually hit by the archers and the gunners… [until] the whole plain was covered by men struck down by arrows and cannon balls.” Not only were cannon used in open battle, but they reached their full medieval potential when armies would lay siege to fortifications. Records and manuscripts recount the use of artillery during the 1429 siege of Orleans.
A 1493 depiction of the 1429 Siege of Orleans. Note the wheeled field cannon in the center of the picture.The gunner working the front cannon holds an ax-headed spear, called a halberd, as well as his pot-fire.
Although these ‘new’ weapons offered much to their owners, there were many problems that accompanied them. Mobility was a big issue, with many of the large guns requiring teams of oxen or horses to move them. The addition of wheels in the later fourteenth century allowed for easier transportation and better fire efficiency.
Massive siege cannon similar to the ones used by the Ottomans during the 1453 Siege of Constantinople
In addition to large siege cannon and mobile field artillery, the
development of smaller handheld cannon allowed individual soldiers to fire projectiles at enemy soldiers. These first handguns were the ancestors of modern-day rifles and pistols.
Illustration from the Bellifortis, a fully illustrated manuscript
on medieval military technology from the 15th century,
showing the use of a personal hand cannon.

Throughout the remainder of the war, cannon designs were changed and improved. Following the medieval period there was still more improvements that were made that made modern artillery even more powerful than the medieval models. Although outdated compared to later designs, the cannon of the middle ages, especially during the fourteenth and fifteenth centuries contributed greatly to the developments of battle tactics and procedures.
My sources and for more interesting information on cannon in the medieval world see:
Judith Bennett’s Medieval Europe: A Short History p.323-327 (Hundred Years’ War)

http://traveltoeat.com/guns-gunpowder-and-longbows-during-the-hundred-years-war/      (Very interesting and informative reading on Guns and Gunpowder during the Hundred Years’ War)
http://en.wikipedia.org/wiki/Bellifortis    (Interesting wiki on the Bellifortis)

Preaching to the Birds

     Have you ever been so moved by empathy for Christ's suffering that you wept yourself to blindness? St. Francis did. St. Francis started one of the most influential and long-lasting monastic orders in history and still has a heavy influence on present-day Catholic clergy. He is known not only for shaping a new and emotional connection with Jesus Christ and completely changing the christian life, but he also heavily influenced the beginning of realism in art. Correct proportions, realistic emotions, and action became focus of artwork.
     One of the most famous events that took place in St. Francis's life is his sermon to a flock of birds. While traveling with some of his companions, he saw a flock of birds of many different species. Upon seeing the birds, St. Francis felt moved to share with them his love of God. Stopping to speak to the birds, he said "My brother and sister birds, you should praise your Creator and always love him: He gave you feathers for clothes, wings to fly and all other things that you need. It is God who made you noble among all creatures, making your home in thin, pure air. Without sowing or reaping, you receive God's guidance and protection"(Catholicism Pure).
     After this event, St. Francis began to call upon all animals to sing praise to their Creator.
     This first sermon that he preached to birds is portrayed in the realistic style of painting displayed below.


St. Patrick and Me in WashDC

It's inspiring to be in a new city, but my mind never wanders far from the Middle Ages. Although Washington D.C. was inspired by the ancient republics, and many classical-style buildings, there are some medieval links. For this blog I want to concentrate on a lovely church where I connected with the spiritual side of the city: St. Patrick's parish church founded in 1792. Since we studied St. Patrick and early Christian Ireland within the European context, it's interesting to know that as immigrants came to America they used many of the symbols and connections to their homeland. I've attached some photos which show the outside (complete with Rose window), and the inside (beautiful stained glass windows, one of Mary receiving the Holy Spirit directly, in the form of a Dove's rays, with angel's heads behind her). Inside the apse there are images of the American Saints (not too many because there have not been too many), the majority canonized by Pope John Paul II. I've also attached some photos of some items inside the church that emerged in Middle Ages as church structures matured: collections for the poor, the emphasis on the celibate priesthood, the stations of the cross to meditate (I love that one is about Jesus and women), and the tabernacle for the consecrated host. I was also privileged to enter the church as a  baptism was being held.
With cries from the baby, I heard the priest ask as the no. 1 question: do you renounce Satan, and the group replied in unison, yes! Then on to no. 2 question: do you believe in the Trinity . . .These moments help build the relevance of history and make me feel like the past is sometimes more in the present than we think.



T




You Mean They Didn't Eat Flavorless Gruel?

No, people in the middle ages did not just eat gruel. Nor did they use spice as a way to cover the stench of spoiled meat. Their diet was more broad and varied than that! The food they ate was normally based on economics, religion, geographical location, social status, and personal taste. Interestingly enough, there were no tomatoes, potatoes, or corn in this time period. Pasta wasn't even introduced until the 13th century! It's so weird to think of italian food without tomatoes or even for awhile without pasta.


They did have fruits and vegetables such as: grapes, plums, apples, pears, blueberries (no bananas or pineapples though) and onions, peas, beans, cauliflower and many more! Commonly eaten meats were beef, veal, mutton, lamb, pork, and goat while game meat was considered boar, stag, deer, rabbit, and bear. They also ate seafood like lobster, crab, mackerel, eel, oysters, etc.


All in all, they may have ate more variety than some people today!

Medieval Bestseller

The image on the cover of The Letters of Abelard and Heloise is an image by an artist known as The Master of the Prayer Books c. 1500. It depicts Abelard and Heloise debating love and marriage, as described by Jean de Meun in the Roman de la Rose. This translates to "The Story of the Rose" and was one of medieval literature's biggest best sellers; 250 manuscripts of the poem are known to have survived from medieval times (British Library). Guillame de Lorris began writing this in the 1230s, right at the height of chivalry and courtly love in France. His aim was to expound the whole art of love. He died before its completion, but Jean de Meun finished his work about 40 years later. While Guillame de Lorris gave love a dreamlike quality, Jean de Meun gave a more rational and cynical stance on relationships.
In the image, Abelard is a cleric and a master in the schools, yet is dressed in fine clothes of a layman. Heloise is in nun attire, during the time when Abelard removed her to the convent of Argenteuil, but still continued to visit and have sexual relations with her (Clanchy). The two red lines above the miniature translates to "How Peter Abelard instructs Heloise," but the hand gestures suggest debate rather than instruction. The two black lines read "Peter Abelard confesses that Sister Heloise the abbess never wished to agree to be his wedded wife."

British Library Online Gallery. "Roman de la Rose." 2009. Web. <http://www.bl.uk/onlinegallery/onlineex/remarkmanu/roman/>
Clanchy, Michael. The Letters of Abelard and Heloise. London: Penguin Books, 2003 (pg 1). Print.

Relics on Tour

Some of the relics of St. Anthony of Padua went on tour to Ireland in October.  The tour consisted of six stops in major cities, which were considered places of pilgrimage while they were there. 

St. Anthony lived from 1195-1232.  He was originally an Augustinian monk and later became a Franciscan monk and was a disciple to St. Francis of Assisi.  When he died, it was said that many miracles were performed at his tomb for months afterward.  He was canonized one year after his death as the patron saint of lost things.  So if you lose something, he is the one you ask for help!

                                                       St. Anthony's Basilica in Padua

The tour lasted from the 17th to the 24th of October and hosted a piece of St. Anthony's rib and a slice of his cheek.

                                                    Relic containing St. Anthony's rib

                                              Relic containing the piece of St. Anthony's cheek

Lastly, he was known as a great orator.  When they exhumed his body to move it to its new home, his tongue and throat were still intact.  One of the miracles that was witnessed.

To read more on this tour, go to:
http://pilgrimagemedievalireland.com/2013/10/21/relics-on-tour-st-anthony-of-padua-visits-ireland/

Playing Horse with Phyllis and Aristotle

During the medieval period, philosophers were expected to maintain chastity similar to that of the church men so that their studies could be the main focus of their lives. Abelard writes in "Abelard and Heloise" of the "heave yolk" of marriage advised against by philosophers such as Aristotle and Cicero. Abelard also writes that marriage is "a rival to his study of philosophy," which is a common belief for medieval scholars. One of the most well-known examples of this is the story of Aristotle and Phyllis.
Aristotle was the teacher of Alexander the Great, to whom Phyllis was married. Aristotle influenced Alexander heavily and convinced him to separate from Phyllis so that he could focus on his political duties. Alexander agreed, much to the resentment from Phyllis. A woman scorned is not to be trifled with. She came up with a devious plan to take down Aristotle, as well as gain her husband back. Phyllis "softly sang and danced" outside of Aristotle's window to seduce him. When she was within arm's reach of him, he grabbed her and told her of his desires. She agreed to fulfill his desires if he agreed to get down on his hands and knees and let her ride upon his back like a horse. He did so without hesitation and she signaled for Alexander to come out. When Alexander saw this, Aristotle lost some of his credibility as a philosopher. Alexander forgave Aristotle and reunited with Phyllis.
Because of this story and others, philosophers see romantic relationships with women as a burden and harmful to one's academic career.
Below is a fourteenth century French bronze aquamanile of Phyllis riding Aristotle like a horse.

Learn more at:
http://www.jehsmith.com/1/2013/04/phyllis-rides-aristotle.html
http://iconics.cehd.umn.edu/Aristotle/Lecture/default.html

“And the walls came tumbling down…”

Medieval Europe was plagued by many wars that wreaked destruction and death throughout the land. This pattern continued well after the end of the medieval period. Through all these wars, armies left standing many grand and magnificent medieval Gothic cathedrals and structures. This sense of honorable warfare came to an end with the start of the Great War in 1914. From England and Spain in the west to Russia in the east, there was not any war that would bring such destruction upon Europe, let alone to its cathedrals. A prime example of the destruction is the story of the cathedral at Ypres, Belgium, commonly known as Saint Martin’s Cathedral.
St. Martin's Cathedral, Ypres, Belgium. Notice the rose mirror and lofty heights.
Interior of Cathedral. Notice the stained glass all the way around.

Construction for St. Martin’s, which originally started out as a large church and not a cathedral, began in 1230 and wasn’t finished until 1370. Standing 335 feet high, St. Martin’s had many of the common components (according to Judith Bennett) of Gothic architecture: pointed archways, stained glass, rose windows, and flying buttresses. Originally a part of the Diocese of Therouanne, the church at Ypres served the community in the prosperous region of modern day Belgium. The church was promoted to cathedral status in the 16th century following the razing of Therouanne, and the following reform that abolished the previous diocese. Ypres became its own diocese and the church became St. Martin’s Cathedral. This status would remain until 1801 with the Concordant between Napoleon Bonaparte and Pope Pious VII which incorporated the Diocese of Ypres into the Diocese of Ghent.
Ruins of the Cathedral during WWI

Just as Bennett discusses, the relatively thin tall walls supported by their flying buttresses, stood strong against weather and time. However they could not hold up to the pounding of shells and explosions from German artillery in World War One. The scene of trench warfare, the city of Ypres and St. Martin’s was devastated and nearly completely leveled.

Following the war, the ruins of St. Martin’s was removed and rebuilt following the original plans except for a higher spire on the tower.
Original Cathedral prior to the war. Notice that there is no spire on the tower to the left.

For more information regarding St. Martin’s Cathedral:
http://www.dailymail.co.uk/news/article-2282108/World-War-One-wasteland-Haunting-rare-images-apocalyptic-destruction-Western-Front.html (this one has some fascinating, and shocking, photos of St. Martin’s and Ypres after WWI)
Additional Reading on Gothic cathedrals:

Judith Bennett’s Medieval Europe: A Short History, p. 292-296
Before & After Photos of the interior of the Cathedral

Hildegard of Bingen: Play of Virtues

Hildegard of Bingen (1098 -1179) was  a German nun well know for her compositions during the central Middle Ages.  One of her most famous compositions, the Ordo Virtutum (Play of Virtues), is the story of the virtues (Humility, Hope, Chastity, Innocence, Contempt of the World, Celestial Love, Discipline? (the name is scratched out in the manuscript), Modesty, Mercy, Victory, Discretion, Patience, Knowledge of God, Charity, Fear of God, Obedience, and Faith) struggle to win a human soul over the devil.  The play is credited to be one of the first morality plays, where one is choosing between good and evil or what is right and wrong.

Self-Portrait, Hildegard von Bingen, Illuminated manuscript, 12C, Germany
 Hildegard was an example of how women obtained a greater authority in the church, through mysticism.  As knowledge of law and philosophy were offered to male members of the clergy, many nuns and women of the time were able to become church leaders through their direct connection with Christ and the divine.  Many popes, emperors, and scholars would consult with Hildegard for her wisdom for her direct connection with God.  This gave her an opening into this changing world of knowledge.

Below I have included a interpretation of the closing act of Ordo Virtutum.  Here the devil is depicted in chains after the human soul has chosen the Virtues and they have turned on him.  The devil cannot sing, for he cannot produce "divine harmony."


Bennett.  Medieval Europe:  A Short History.  McGraw-Hill, 2011.
http://en.wikipedia.org/wiki/Ordo_Virtutum

Medieval Buildings in Pop Culture

One thing I do far more than I should is play video games, most recently I've been putting in countless hours and losing just as much sleep over my newest obsession; The Evil Within. Without going into a rant over how awesome and incredibly terrifying this game is I'll stick with comparing what I've seen in the game with our most recent topic of medieval buildings and cities.

Early on in the game the main character references the medieval architecture as being curiously placed (since the game takes place in modern times) Most of the game takes place indoors however there are two images that stood out to me as fitting the mold for medieval architecture.



This particular image fits the image of the wooden castles that were constructed during William the Conquerors reign. It has a wood wall and several towers surrounding a few smaller buildings and a central living quarters on a hill looking over the rest of the compound.
 The layout of the in game castle is very similar to this rendition of a Medieval wooden castle.

The second picture I want to show you is the focal point of the game. In the game the building is referred to as the Beacon Hospital. However it shows many similarities with medieval churches and cathedrals. Curious to hear what you guys think!
It is hard to tell from the picture but there is stain glass throughout the building

Squirrels: pet or pest?


In the Middle Ages people had pets. Dogs were by far the most common (blog anyone?). Others had cats and birds. Women put animals on rings and heraldic shields. Popular dog names were “Dyamant” and “Mopsus.” Legal cases were brought against others for accidental killing. Even Isabella d’Este staged a funeral for her dog and cat.  The 2012 book Medieval Pets makes much of this clear.  But were any animals hated? I’m reminded of this because of my current animosity for the squirrel. Since April, squirrels have been setting up a nibble shop on my deck table and gnawing at it. Once black, it’s now mostly silver with little nibble marks spread around the outside of my 6 foot round table, as well as down the legs. I thought they worked only at night, but I have recently seen them cavorting in broad daylight sticking their little squirrel teeth into the table that is now more silver than black. They are not just removing paint; they have etched their front teeth into where I like to set my dinner plate. It's  personal. On a walk today, squirrels jumped joyfully from nut to nut, thinking how happy they were to destroy my furniture. This got me thinking, were squirrels liked, or despised, in the Middle Ages?

Squirrels could be considered companions. According to the author of Medieval Pets, it was the fourth most common pet. Women kept them as pets especially. At the Crystal Bridges museum in Arkansas I have a favorite American painting of a woman with a squirrel on a leash (see below), but I had not made the connection to the Middle Ages.  Though they appear to be loved and trained, some were depicted in literature as being greedy since they slept one third of their lives and never stopped collecting food. So I’m left with awe that in the Middle Ages folks trained squirrels, a phenomenon that spread into early America, and yet I can’t even get them to pay attention to my pepper spray. Still, check out the squirrel cloak worn by the Virgin Mary below; another link has additional images of squirrels by someone who has done extraordinary work collecting images from medieval rings, Bibles, books, and paintings.

A very rare medieval image of a pregnant Virgin Mary. I saw this last summer in Umbria. The most amazing part was the tent of squirrel coats . . . 

Only 2 hours away with a visit to Crystal Bridges Museum, c. 1765. This is a fragment of the larger portrait.
http://www.boydellandbrewer.com/content/docs/qa_medieval_pets_k_walker-meikle.pdf

http://www.abbeville.com/blog/?p=390

Medieval University

Medieval University

Italy, 1400

Italy, 1400

900s, Jewelled crown

900s, Jewelled crown