Celtic Connections and More?

This afternoon I opened my email  to see a blog from the British Library (a great place to look for medieval images, btw, especially as you can zoom in) on twelfth-century Bibles. Computers have greatly enhanced my ability to make the Middle Ages visual and having access to entire pages of illuminated Bibles allows us to attempt to see the past in the same way as a man or woman from the twelfth century would have. So there was much surprise when I saw that one of the featured bibles was from a monastery that I have researched and from a monastic order that I have published a few articles on: the Premonstratensian order, and the monastery of Arnstein. The British library today holds the Bible, although it originated in the Rhineland of Germany.  The images that I have included link directly to class because I found their use of Celtic knotwork interesting. We discussed The Book of Kells, which was known for its intricate knot work (see also Bennett 48-49). But I was fascinated to see a monk from Germany--which by the twelfth century was a very different world than that which created The Book of Kells--use space in a similar way.

Take a look at the images of the illuminated Bible below which date from the twelfth century. In the first image every inch of space is used, but if you look more closely find the words, In precipio, meaning "In the beginning. . ." (IN is very large and takes the left two-thirds of the page; principio runs down the right hand side). Scattered among these interwoven visuals is Jesus at the top and John the Evangelist at the bottom (thanks to the British library site for helping me out with who was at the bottom).  In the following image, note the tight use of imagery and the fairly easy to read script on the right. Now thank Charlemagne, his advisors, and monastics for implementing the clear easy to read script (Bennett 97) which was unlike anything used before.

For a direct look at more Bibles and for info related to these images, see: http://britishlibrary.typepad.co.uk/digitisedmanuscripts/

If you're interested in an article on the Premonstratensian order that I wrote,  you can read start here (caveat: not light reading): https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/catholic_historical_review/v089/89.3wolbrink.html


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Secret of The Kells Review

             The Secret of the Kells was produced in 2009 and has been nominated for an Academy Award for Best Animated Feature. The movie is based off of the creation of the Book of Kells, one of Ireland’s national treasures. It starts out in the Abby of Kells where a young boy named Brendan is in the process of learning the monastic trade of illumination, or the art of decorating texts with illustrations of the highest degree. Brendan’s world is forever changed when a monk from a monetary on the island of Iona arrives with the Book of Iona in his possession. The monk, known as Brother Aidan, requests that Brendan help him complete the Book of Iona by gathering gall nuts from the local forest so that he can make some ink. Brendan accepts the challenge and ventures off in to the forest. While looking for the gall nuts, Brendan ends up meeting a forest spirit named Aisling who he befriends and convinces to help him find the gall nuts. After returning to Kells, Brendan is confronted by his uncle, the abbot of Kells, who demands he never leave the walls of the abbey again. Brendan ends up escaping the city again when he is tasked with finding a crystal in order to “see the unseen.” After defeating a deity and finding a crystal Brendan beings working on finishing the Book but is interrupted by a Viking attack. Brendan ends up escaping with Brother Aidan and they complete the Book before returning to Kells so that the Book of Kells can be safe from now on.
            I did some research on the origin of the Book of Kells and found out that the movie was accurate in many ways. The Abbey of Kells was a real place that existed in medieval times as a refuge for monks who were raiding on the island of Iona. There are theories that the Book of Kells was started on Iona and finished in Kells as the movie depicts, but there are also theories that say it was entirely written in Iona and some that say it wasn’t even written in Ireland. The most widely accepted theory is the one portrayed in the movie. Some other ideas that wree historically accurate was the Viking raid on Kells where the Book of Kells was stolen and its pages ripped from its covers. Some of the story told in the movie about the starting of the Book of Kells were also accurate. Some things that were not as accurate were the ideas of a child writing the Book of Kells, specifically the Chi Ro page. Another idea that was not accurate was Aisling, the forest spirit, who helps Brendan find the ink ingredients.
            The animation of the film is very beautifully done. Celtic ideas are represented throughout the whole movie through backgrounds, small details, and hidden images in common images. The presence of Celtic knot work is very apparent as well as the idea of forest spirits and other Irish mythology. One part of the animation that I found very well done was the way that the Vikings were animated so that they were very foreign looking in the Irish land. All of the animation and artwork for the Irish people and wilderness was smooth while the Viking animation and art was very choppy and bulky, just as it would feel in a real life invasion. The artwork in the movie may also have been inspired by the Book of Kells itself because of all the minute details and vibrant colors, much like the Book of Kells.


             The overall effectiveness of the movie is very high in my opinion. I could not stop watching the movie because of the beautiful Celtic inspired artwork. The film helps give an understanding to the origins of the Book of Kells by giving an easy to follow story that gives some historically accurate information along with fantasy so that the artwork imbued in to the scenery is believable. I could see this movie being played in a classroom because it is meant for children so there is no worry about adult themes. It also depicts a historically accurate setting for the story to happen in as well as giving enough information to explain the history behind the Book of Kells.

Behind Every Man...

In the earlier centuries, many kings had beliefs besides christianity. Christianity had begun to emerge across the different kingdoms which made many of them abandon their previous idols to accept the new doctrine. Whether that doctrine was Roman or Arian Christianity is not the important nor interesting part. The interesting part is that some kings during these beginning centuries had wives that had already adopted the doctrine of Christianity and were trying to get their husbands to follow them, living under the one True God. Examples of these kings were Maurice, King of Kent and his wife Bertha, and Edwin, King of Northumbria and his wife Ethelburga. The most notable conversion is that of Clovis I, King of Franks and his wife Clothilde.

In the 5th and 6th centuries, Clovis I believed in different idols than his christian wife, Clothilde. They had two sons, Ingomer and Cholodomer, that Clothilde had baptized behind Clovis' back. The first son, Ingomer, perished right after his baptism while the second son, Cholodomer, came very near death but recovered. Clovis I had then converted to Catholic Christianity later after the second baptism (CP 19-20). What is interesting is the fact that one son died from the baptism, the other near death and yet he still converted to Catholic Christianity and became a defender of the doctrine along side Bishop Gregory the Great (Bennett 37). It seems that Clothilde had influenced Clovis enough to have him convert to her religion. Clothilde later became the Patron Saint of Queens. You know the old saying, "behind every great man, is a great woman."

St. Clothilde at prayer
Baptism of Clovis I
 Master of Saint Giles
 c. 1500
For more information, check out these links:

Book of Kells

A illuminated manuscript currently kept at the Trinity College Dublin, Ireland. This book is very decorated and contains the four Gospels in Latin, based on a Vulgate text. Written in a bold and expert version of the script "insular majuscule," on vellum. (calfskin). They think the book was written closer to the year 800, but are unsure if it was produced completely in Iona or Kells, or even partially at each locations. The Book of Kells has been bound in four volumes since 1953. Two are in public viewing, one is opened to display a decorated page and the last one shows two pages of script; all volumes are changed at regular intervals. (according to Trinity College's website)

These are just a few images I found from the following websites, http://www.ntnu.no/ub/formidl/utgivelser/til_opplysning/to_nr9.php
http://seekingadventure.blogspot.com/2012/11/zooming-in-on-book-of-kells_27.html
http://www.from-ireland.net/category/miscellaneous/dublin-miscellaneous/page/2/

I love the look of ages upon the pages, and the amazing detail put in the book.



Get Medieval: Write in Your Books


Will your class coursepacket look like this?

As we start our first weeks together, and for some of you, your first week of college life, I want to turn to  medieval gloss to entice you to implement some of the traditions of the Middle Ages into your study habits. First, it goes without saying that you’re a student at a university—in Latin, universitas, meaning corporation. By entering into Drury, you’re following a nearly thousand-year old tradition that began in the Middle Ages, and represents a community of shared learning. Drury’s Latin motto is Christo et Humanitati, urging the study of the humanities as a link to the Christian world, something that was set as an ideal in the twelfth century [by 1500, around 80 universities existed in European cities from London to Rome].  Books were expensive and sparse, but lectures were held, libraries existed, and faculty read from books, which students copied. Part of student life, and even private life, was the medieval gloss, a commentary on the book itself, within the book.

Reading was not just reading in the Middle Ages, nor should it be today. 2014 reading: head-phones, computer on, phone on, texts coming in, what are books? 1255 reading: a concentrated study of the written word as an intimate way to connect with the sacred text, and a written commentary next to the words, full of quotations, ideas, questions, and sometimes fun marginalia [lots of “ass trumpets,” see below].  My basic point is that in the Middle Ages, writing around the text was common practice, as it used up the empty space of parchment that was expensive, but more importantly furthered the learning community. This was known as a gloss. The act of interpreting the text is known as an exegesis.

Each medieval reader might add new and different commentary. The space was a center for further learning.  They might quote an additional scholarly quote, ask a question, or at times express dissent. Your Drury faculty do not expect you to become a monk or nun and work in a scriptorium, laboring over the copying of text; we do expect you to read and interact with your reading in a way that you may never have done previously.  Make a point to try to mark in your text, using some of the same traditions, for every class. Perhaps it is a hand-arrow like below to emphasize an important point; or perhaps an extended commentary on what you are reading with questions. A critique would be OK too [I do a lot of this when reading textbooks!]. Medieval scholars have much to teach us about applied reading as a method of active engagement. The posted images [only one is necessary for class] link to the idea of continual scholarship, making notations as a form of active engagement, and fun too. 
 
This reader, from around the 9th century, added images of planetary alignment.

Does this express  dissent or just harmless fun?

Attention! Important! 

Further reading: even though a website for a business, it’s scholarly, with author listed, and noted on several sites: http://scripturestudysoftware.com/2012/06/29/the-technology-of-scripture-study-the-middle-ages/

This one is an academic site for as it mentions a thesis being written: http://www.huygens.knaw.nl/marginal-scholarship-vidi/

Medieval University

Medieval University

Italy, 1400

Italy, 1400

900s, Jewelled crown

900s, Jewelled crown